AVAILABLE:

AST076: KENDALL CAHAN - LOSS C20
AST077: MOBILI OPERATIVE SPECIALI AUTONOME - TOXIC C24
AST078: BEAD - INVESTIGATE ATTACK CONNECTION C32
AST079: CHINO - OLD PRACTICES C58
AST080: OIL - CLENCH C24
AST081: MAGNETIZER - TIME MISTS C16

OUT EVENTUALLY:

MIKEY YOUNG CS
LOOSE-Y CRUNCHE CS
OPAL BEAU CS
JOCK CLUB CS
CVN CS
SUICIDE APPARATUS CS
HITOSHI KOJIMA CS
CUBE - "FADE TO BEIGE / (803) 206-0028" REISSUE 2 X CS


BIGCARTEL | DISCOGS | SOUNDCLOUD | BANDCAMP

Monday, August 15, 2011

CCCC / JS Lathe Review.

Thanks to old mate Screwtape:

COSMIC COINCIDENCE (CCCC)/JUNK SICK, split
12" lathe cut, 2011,
Altered States

Cooper of AS warns that the sound level is somewhat low on this cut, particularly on the first part of side one, and also issues a free download of wave and mp3 files for this material, but interestingly I found the sound quite acceptable and, in fact when compared to the wave files, somewhat more enjoyable. The lathe cut seems to have added a kind of low fidelity grit to both sides which seems to enhance the actual pleasure of the music. This is particularly the case with Junk Sick - Cooper and long-time collaborator Tommy Gunja - who have created two messy, crude spirals of home-taped Noise that manage, with the first piece "Space Debris" to maintain a nice experimental feel with analogue synths, effects, tapes and contact microphones that features a lot of water-ish gurgling with spurts of static, underlined with synth humming and oscillating. The track features choppy bits of harsh sound over more rushing, dirtier layers that combine well and keep things moving without spazzing around. A fairly appropriately titled track, actually, invoking the idea of pieces of human-made shit clogging up space. "Black Dust" reminds me more of the kind of cassette improvisations put out by these people before, a rustier and more coagulated sound that gets more active and aggressive with a lot of nice dragging sounds and more intense synth. Both these pieces are great and I look forward to the up-coming "Rising Damp" tape.

The Hasegawa party, for their part, start off with the usual slow building cosmic synth tones that mutate and evolve with more stressed sounding electronics, like something being stretched beyond its limits, and these sounds move together, the slow winding synth and burbling and gurgling electronics, building in intensity but maintaining dignity. Funnily, because of the building tension of "Apocalyptic Birdsong" it seems to be too short, despite being over sixteen minutes in length, but this project always did seem to excel in the spaced-out-jam method, rather than the concise hit. Still, the sound presented here is structured and strong and the download version can bring out details the lathe cut perhaps missed.

Still a few copies left unaccounted for, but probably not for long. Hiroshi will have copies soon

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