Monday, June 18, 2018
This week during Dark MOFO, Ryoji Ikeda will be launching a new iteration of his light-based work, Spectra, at MONA. I'll be doing two live / tape DJ sets at the opening and closing after parties on Thursday + Sunday at the Faros restaurant. Come down before the Berlin Atonal show if you happen to be in town.
Tuesday, May 29, 2018
Loose-y Crunché is a spin-off multiplication of Lucy Cliche bringing you irritatingly raw pretty improvised relentless electronic crunch zone headache beats and disjointed noise.
Also one half of WDK, Laura Hunt produces noisy dance brain-hacks via improvisation.
Modded, lowered and reeking of kerosene fumes, Dizzy gets behind the wheel for a few laps of boot-rattling deep house and techno.
From the docks to the big smoke, Spisbah (aka Oil) will envelope you in a puddle of molasses-thick ambient effluent.
Monday, May 21, 2018
NM MIX 005: COOPER BOWMAN
Label boss and main staunch coordinator at treasured hive of contrarian electronic music activity Altered States Tapes bizarrely throws us a fantastic mix of rock heavy hitters at a nice price.
Sparks - Something For The Girl With Everything (Live, 1974 / Introduced by Keith Moon)
Steve Miller Band - Threshold / Jet-Airliner
Karen Marks - You Bring These Things
The Moffs - Another Day In The Sun
Spectrum - I'll Be Gone
Spectral Display - It Takes A Muscle To Fall In Love
Shoes - Tomorrow Night
Australian Crawl - Downhearted (1982 7" Version)
Stevie Nicks - 24 Karat Gold (Unreleased Demo Version)
Creedence Clearwater Revival - Effigy
Roxy Music - Take A Chance With Me
This Mortal Coil - You And Your Sister
"One man's treasure is everyone else's trash".
Indulge my bullshit for a second: yes, I love techno and ambient as much as the next soundcloud DJ, but I also grew up listening to punk, radio rock and every other kind of weirdness I could access via Limewire. I don't really listen to mixes regularly and personally find the whole approach as a dominant way of ingesting music slightly strange. The last mix I listened to more than once was Molly Water's Sanpo Disco one. I refuse to classify these tracks as 'guilty pleasures'. They are just songs that I genuinely enjoy and listen to regularly without any trace of irony. I would have also included 'Klepto Rackz', but I feel that this would be pushing it and people would maybe not believe me (although I do encourage you listen to it). If anyone is interested in a NWOBH or Memphis rap mix, I'd be more than happy to chop you out those as well.
Move to trash and empty the recycle bin on this one.
Wednesday, April 25, 2018
Physical - Bigcartel
Digital - Bandcamp
This a double reissue of Oakland-based artist, Adam Keith’s long-running Cube project. I was initially switched on to his stuff by Ren Schofield about five years ago. Fade To Beige and (803) 206-0028 originally appeared as self-released cassettes in 2015 and 2016 respectively. This gives some indication as to how long I’ve been sitting on this material, waiting for the right time. Since then, Keith has released an excellent LP on Left Hand Path and a tape on LA’s Nostilevo, as well as (weirdly enough) being featured on Fact Magazine. On listening to any of these releases, it becomes immediately apparent that Cube is a 100% distinctive and varied project. Keith takes chops honed playing in punk band, Mansion and applies it to elements of industrial, techno, ambient and musique concrete.
My man in Taipei, Simon (Opal Beau), recommended Lujiachi as one of the best artists currently operating in the burgeoning Taiwanese electronic scene and suggested I offer him a release. Here it is, a mangled, replete assault of club-ready workouts. It’s possible he will be making his way down unda in the not-too-distant future, so sample his wares now in preparation.
This one comes courtesy of the Ren mentioned above in the Cube blurb, who you may know better from his madcap techno project, Container. Form A Log sees him in trio formation with similarly entrenched US DIY / experimental mainstays, Noah Anthony (Profligate) and Rick Weaver. Following a slew of excellently baffling LP’s and tapes over the last eight or so years, welcome the Log as they float to Australian shores. Even by Ren’s own admission, Bird Time is ‘demented’. These days this statement doesn’t usually mean much, but being well-versed in their previous output I wasn’t sure what insanity to expect from these recordings. Via densely piled tape loops, the three succeed in outdoing themselves in freakdom. Another triumph for the human race.
Strangely enough, despite being separated by a large body of water, NY’s Beat Detectives have appeared on many of the same labels I’ve worked with over the years: namely Beat Concern, Not Not Fun, Where To Now and Night People. So I guess it wasn’t surprising that once I eventually dug into their jams, I was heavily into what I heard. Their sounds are largely sample-based, taking in mangled plunderphonic excursions and demented beat music on a trip entirely their own. I feel like this release might be a jab by the D’s at my desire for them to do a release that was more on the “rhythmic side”. Rhythms & Edits is, as the name implies, a varied collection of beats stitched together into a long-form mix. Regardless of their intentions, this tape is a phenomenal home listening experience, as well as a perfect low-key party soundtrack. R&E Vol.1 appears to be able to warp linear progression, it’s seemingly extended 68 minute length possessing the ability to satisfyingly erode time like nothing else.
Monday, April 16, 2018
Archaic Vaults is a new series curated by my mate in the UK, Sev. This is the first strictly electronic mix I've made. I tried to select some atypical stuff and, for some reason, most of the tracks ended up being from '91 / '92. I guess they were good years. More importantly, it features a track by Syndicate. This is the only music I actually know of to hail from the bleak suburbs I grew up in. Not only for this reason, I genuinely believe they are one of the best acts to emerge from the Bloody Fist sinkhole.
Saturday, March 31, 2018
Sunday, March 18, 2018
Wednesday, March 7, 2018
Physical - Bigcartel
Digital - Bandcamp
Per Bystrom is Compound, the year is 2018. Among the ruins of Moonee Ponds, one man wanders the debris using his keen senses to scour for electrical fodder. He assembles the detritus into relentlessly abrasive and incendiary rhythms that insidiously burrow themselves deep into the cortex. Few are able to cope with this cognitive torment, can you? This summer, prepare yourself for Psychic Withdrawal.
To be honest, this debut Opal Beau release is the culmination of Altered States for me. I have known Simon Scott, who is behind OB, for a relatively long time. Before moving to Melbourne, I’d ripped him off by selling him an overpriced / terrible punk record, only to find out he was my girlfriend at the time’s cousin upon moving here. Thankfully he was able to look past this and in the years following switched me on to so much excellent stuff, effectively shaping my taste in beat-driven music before it was par for the course for everyone to be into it. He has always supported the label and the least I can do is unleash these seven finely-tuned tracks, comprising a mix between what he describes as “industrial bossanova” and experimental forays into techno.
Sunny Seppa hails from Helsinki, I met him there in 2016 when he was nice enough to set up a show for me in a small gallery called Third Space at little notice. On that night he was conjuring high-res ambience under his then main concern, SPS. Since then, Sunny has seemed to let SPS rest in lieu of concentrating on an extensive DJ schedule, littered with occasional live outings as Sansibar. Last year he appeared alongside the equally excellent Draveng and Australia’s own shamanic synthesist par excellence, Matthew Brown on a 12” released by Berlin’s FreiTanzPlatten. The Quadra EP follows his debut as Sansibar in 2015. 4 tracks of well-manicured electro for the blissfully submerged heads.
Over the last few years, Japan’s CVN has released a slew of unpredictable sounds on consistently challenging labels such as Where To Now? (UK), Angoisse (Spain) and Orange Milk (US). On Kaisou, his sound is no less eclectic; pairing short ambient pieces with forays into futuristic club music and… trap? CVN’s scattershot approach also carries over to his low-key mix series, Grey Matter Archives, his curatorial direction giving another insight into his processes.
I have long been a fan of all of Lucy Phelan’s projects; the early distorted no-wave of Naked On The Vague, the uneasy dark ambience of Half High (who appeared on AST’s first vinyl release) and obviously her current occupation as club-maestro, Lucy Clichè. This new nom de plume sees Loose-y utilising a similar palette to her better known personality, but here all bets / beats are off.
This release by Japanese enigma, Hitoshi Kojima, is evidence that listening to demo’s you are sent is a worthwhile endeavour (as is not being an elitist asshole generally). These eight hardware-driven tracks SLAM and are exactly what I am looking for in modern electronic music. Industrial, off-kilter, but still maintaining a steady hook throughout. HK has previously released on excellent labels Seagrave (UK) and Always Human Tapes (US). Welcome to the family, Hitoshi.
Playing a live ambient set out the back of Lulu's in Melbourne tonight to launch the new batch.
Tracks from the Sansibar + Opal Beau tapes streaming on Inverted Audio now.
Sunday, February 25, 2018
Altered States Tapes is pleased to launch it's first six releases of the year, including tapes from Compound, Sansibar, Hitoshi Kojima, CVN, Opal Beau and Sydney's own, Loose-y Crunchè. These will be available on the night.
GAELIC CLUB / SLURRY HILLS
THURSDAY / MARCH 22ND
8PM / 5 BUCKS
LOOSE-Y CRUNCHÈ (tape launch)
COOPER BOWMAN (vic / tape launch)